{"id":193,"date":"2015-03-19T21:12:18","date_gmt":"2015-03-20T03:12:18","guid":{"rendered":"http:\/\/www.ellenschillace.org\/?page_id=193"},"modified":"2024-08-07T13:44:44","modified_gmt":"2024-08-07T19:44:44","slug":"resume-2","status":"publish","type":"page","link":"https:\/\/www.ellenschillace.org\/?page_id=193","title":{"rendered":"RESUME"},"content":{"rendered":"

Ellen Schillace<\/strong>
\nwww.ellenschillace.org<\/p>\n

Born:
\nWashington, D.C.<\/p>\n\n\n\n\n\n\n\n
Education<\/strong><\/td>\n<\/tr>\n
2011<\/td>\nExpressive Arts Leadership Graduate Certificate, Salve Regina University, Newport, Rhode Island<\/td>\n<\/tr>\n
2001-2002<\/td>\nGraduate Course work, Art Department, University of Colorado, Boulder, Colorado. Principles of Color, Printmaking, Painting, Processing Art in Museums, Writing<\/td>\n<\/tr>\n
1986<\/td>\nSplit Rock Artist Program, University of Minnesota, Duluth Minnesota<\/td>\n<\/tr>\n
1971<\/td>\nBA in English and Psychology, Salve Regina University, Newport, Rhode Island<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Gallerics \/ Juried \/ Invitational<\/strong>
\n(includes a combined list of solo, two or three person shows and group exhibitions)<\/em><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2022<\/td>\n\u201cBeyond Boundaries”<\/em> Collaborative, with Jacuqueline Faye, Aimee Sutherland, Ty Schwantes, and Bryce Mason, University of Minnesota, Minneapolis<\/td>\n<\/tr>\n
2019<\/td>\n\u201c19th<\/sup> Amendment at 100: Women\u2019s Voices Then and Now\u201d <\/em>Juried Show, Women\u2019s Caucus for Art, Detroit, Michigan<\/td>\n<\/tr>\n
2016<\/td>\n\u201cThe Women and Money Project\u201d<\/em>, Curator, Katherine E. Nash Gallery, University of Minnesota, Minneapolis Minnesota<\/td>\n<\/tr>\n
2016<\/td>\n\u201cStepping back looking forward; Honoring Feminist Vision<\/em>, Minneapolis College of Art and Design<\/td>\n<\/tr>\n
2015<\/td>\n\u201cBeyond Boundaries’<\/em>“, TEDA Contemporary Art Museum, Invitational, Tianjin, China,<\/td>\n<\/tr>\n
2014<\/td>\n\u201cPortals and Passages<\/em>“\u2019, Warm Juried Show, Phipps Center for Art, Hudson, Wisconsin<\/td>\n<\/tr>\n
2014<\/td>\n\u201cEquilibrium: Art for a Changing World<\/em>\u201d, Juried Show, Woman Made Gallery, Chicago, Illinois<\/td>\n<\/tr>\n
2014<\/td>\n\u201cWomen and Water Right<\/em>s\u201d Mills District Gallery, Minneapolis<\/td>\n<\/tr>\n
2010<\/td>\n\u201cPaper vs Paint<\/em>\u201d Three-person exhibition, Deblois Gallery, Newport, Rhode Island<\/td>\n<\/tr>\n
2010<\/td>\n\u201cPaper Politics<\/em>, Juried Show, Williamsburg, Pennsylvania<\/td>\n<\/tr>\n
2008<\/td>\n\u201cL\u2019Arte en Anarche<\/em>, Juried Show, Montreal Canada<\/td>\n<\/tr>\n
2007<\/td>\n\u201cA Retrospective<\/em>\u201d Horst Galleries, SOLO Exhibition, Minneapolis<\/td>\n<\/tr>\n
2006<\/td>\nGroup Exhibiton, The Gallery at Peck, Providence, Rhode Island<\/td>\n<\/tr>\n
2006<\/td>\n\u201cPaper Politics<\/em>\u201d, 5+5 Gallery, Juried Show, Brooklyn, New York<\/td>\n<\/tr>\n
2005<\/td>\n\u201cTransformation\u201d,<\/em> SOLO Exhibition, Penny George Institute for Health and Healing, Abbot Northwestern Hospital, Minneapolis<\/td>\n<\/tr>\n
2005<\/td>\n\u201cFrinj of the Frinj\u201d,<\/em> Juried show’, MIRA Gallery, Minneapolis<\/td>\n<\/tr>\n
2005<\/td>\n\u201cPaper Politics\u201d,<\/em> Juried Show, Seattle, Washington April 2005<\/td>\n<\/tr>\n
2004<\/td>\n\u201cSpring Show\u201d, Frankstone Gallery, Minneapolis, Minnesota <\/em><\/td>\n<\/tr>\n
2004<\/td>\n\u201cSpirit of the Beloved Community\u201d,<\/em> Visiting Artist\/SOLO Exhibition, Multicultural Center, Johnson and Wales University, Providence Rhode Island<\/td>\n<\/tr>\n
2003<\/td>\n\u201c2nd<\/sup> Annual Juried Show<\/em>\u201d, Minnetonka Center for the Arts, Minnetonka<\/td>\n<\/tr>\n
2003<\/td>\n\u201cWARM Member Show<\/em>\u201d, MIRA Gallery, Minneapolis<\/td>\n<\/tr>\n
2001<\/td>\n\u201c9\/11 RESPONSE<\/em>\u201d, Graduate Art Department Exhibition in response to 9\/11, Boulder. Museum of Contemporary Art. Boulder, Colorado 2001<\/td>\n<\/tr>\n
2001<\/td>\nArt Resources Gallery at Jackson, Saint Paul, Minnesota<\/td>\n<\/tr>\n
1998<\/td>\nArt Resources Gallery International Design Center, Minneapolis, Minnesota<\/td>\n<\/tr>\n
1998<\/td>\nJRS Fine Arts, Providence, Rhode Island<\/td>\n<\/tr>\n
1994<\/td>\n\u201cNon-Color Painting<\/em>\u201d, Unity Unitarian, SOLO<\/strong> Exhibition<\/strong>, Saint Paul<\/td>\n<\/tr>\n
1993<\/td>\n\u201cMoments of Truth<\/em>\u201d, House of Hope Presbyterian Church Summit Avenue, SOLO <\/strong>Exhibition<\/td>\n<\/tr>\n
1991<\/td>\n\u201cCelebration of Diversity<\/em>\u201d, Curator, organizer, Northern Warehouse Artist Cooperative, Blair Arcade, Saint Paul<\/td>\n<\/tr>\n
1983<\/td>\n\u201cFOUNDING MEMBERS<\/em>\u201d, WAVE Gallery, Lowertown, Saint Paul, Minnesota<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
Curatorial Projects<\/strong><\/td>\n<\/tr>\n
2016<\/td>\nThe Women and Money Project, co-curated with Lyndell King, Director Weisman Art Museum, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, Minnesota<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n
Visiting Artist \/ Artist Talk \/ Panels<\/strong><\/td>\n<\/tr>\n
2006<\/td>\n\u201cWarm History and Legacy<\/em>\u201d, Artist Panel moderated by Macalester Art Professor Joanna Inglot, Frederick Weisman Art Museum<\/td>\n<\/tr>\n
2004<\/td>\n\u201cAuthentic Journeys<\/em>\u201d, Artist Talk, Johnson and Wales University Multicultural Center, Providence, Rhode Island<\/td>\n<\/tr>\n
2004<\/td>\nVisiting Artist, Multicultural Center, Johnson and Wales University, Providence, Rhode Island<\/td>\n<\/tr>\n
2004<\/td>\nArtist Talk, \u201cTransformation<\/em>\u201d, Penny George Institute for Health and Healing<\/td>\n<\/tr>\n
2002<\/td>\nArtist in Residence, Chautauqua Park, Boulder, Colorado<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n
Publications \/ Catalogs \/ Selected Bibliography<\/strong><\/td>\n<\/tr>\n
2016<\/td>\nThe Women and Money Project<\/span>, Katherine E. Nash Gallery<\/td>\n<\/tr>\n
2016<\/td>\n\u201cWomen, art, and worth\u201d,<\/em> Women\u2019s Press, Fall Issue<\/td>\n<\/tr>\n
2015<\/td>\nBeyond Boundaries<\/span>, TEDA Museum of Contemporary Art Tianjin, China<\/td>\n<\/tr>\n
2014<\/td>\nEquilibrium: Art for a Changing World<\/span>, Chicago, Illinois<\/td>\n<\/tr>\n
2012<\/td>\nBound<\/span>, Woman\u2019s Caucus for Art, New York City<\/td>\n<\/tr>\n
2009<\/td>\nPaper Politics: Socially engaged Printmaking Today by Josh MacPhee, Brooklyn<\/td>\n<\/tr>\n
2007<\/td>\n\u201cThe Artist Way\u201d, <\/em>Report from Newport, Salve Regina University, Newport, Rhode Island<\/td>\n<\/tr>\n
1994<\/td>\n\u201cTrue to Form<\/em>\u201d by Andy Driscoll, Grand Arts, Saint Paul, MN<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
Art Affiliations \/ Commitments<\/strong><\/td>\n<\/tr>\n
2019-present<\/td>\nVice President of International Association of Female Artists<\/td>\n<\/tr>\n
2011-2017<\/td>\nPresident, Minnesota Women’s Caucus for Art, President<\/td>\n<\/tr>\n
2002-2006<\/td>\nWARM Board Member<\/td>\n<\/tr>\n
1981-1983<\/td>\nWAVE Gallery co-founding member (Warm Associates Collective)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Ellen Schillace www.ellenschillace.org Born: Washington, D.C. Education 2011 Expressive Arts Leadership Graduate Certificate, Salve Regina University, Newport, Rhode Island 2001-2002 Graduate Course work, Art Department, University of Colorado, Boulder, Colorado. Principles of Color, Printmaking, Painting, Processing Art in Museums, Writing 1986 Split Rock Artist Program, University of Minnesota, Duluth Minnesota 1971 BA in English and […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.ellenschillace.org\/index.php?rest_route=\/wp\/v2\/pages\/193"}],"collection":[{"href":"https:\/\/www.ellenschillace.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ellenschillace.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ellenschillace.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ellenschillace.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=193"}],"version-history":[{"count":23,"href":"https:\/\/www.ellenschillace.org\/index.php?rest_route=\/wp\/v2\/pages\/193\/revisions"}],"predecessor-version":[{"id":335,"href":"https:\/\/www.ellenschillace.org\/index.php?rest_route=\/wp\/v2\/pages\/193\/revisions\/335"}],"wp:attachment":[{"href":"https:\/\/www.ellenschillace.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}